Winner of the 2025 Münze Österreich Prize, Kateryna Lysovenko presents paintings that use reduction, absence, and everyday fragments to question visibility, reality, and propaganda.
The exhibition follows Vally Wieselthier's career in Europe and the United States, bringing together Wiener Werkstätte material, loans from European collections, and newly donated works on paper.
Thomas Demand uses historical stage models from Vienna and Monaco as the basis for new photographs, wall installations, and light works that turn theater history into a dreamlike archive.
The MAK Poster Forum looks back at 20 years of VIENNA DESIGN WEEK through the posters that shaped the festival's public image and highlighted the designers behind them.
The hands-on exhibition presents around 40 construction kits from 1890 to 1990 and shows how building toys evolved long before Lego dominated the market.
The MAK continues its collaboration with Wien Modern with an interdisciplinary project at the intersection of music, applied arts, and performance.
The annual survey presents prize-winning posters from Germany, Austria, and Switzerland, ranging from experimental self-commissioned work to precise corporate design.
Josef Dabernig's videos explore the visual codes of fitness and combine body, movement, and abstraction into a study of projection and community.
This large installation examines Viennese interior design between the wars and connects housing debates, social reform, and MAK holdings through a scenography by Anna Viebrock.