The solo exhibition ranges from works on paper to textile objects and highlights Ursi Fürtler's affinity for pleats, geometric structures, and Japanese printing and dyeing influences.
Felix Lenz combines film and installation to show how image technologies capture data, consume resources, and reshape access to knowledge, from salt landscapes in the American West to buried histories beneath tech campuses.
The exhibition centers on Barbara Pflaum's Vienna street photographs, revealing beyond her magazine commissions a sharp eye for daily life, humor, protest, and social change.
Drawn from the poster holdings of the MAK, the Wiener Festwochen, and the Wienbibliothek im Rathaus, the show traces 75 years of festival graphics, design shifts, scandals, and urban memory.
The exhibition follows Vally Wieselthier's career in Europe and the United States, bringing together Wiener Werkstätte material, loans from European collections, and newly donated works on paper.
The MAK's first solo exhibition on Christoph Schlingensief in Austria connects theater, film, installation, and politics, following lines from Church of Fear to later cinematic and operatic works.
Thomas Demand uses historical stage models from Vienna and Monaco as the basis for new photographs, wall installations, and light works that turn theater history into a dreamlike archive.
More than 500 objects bring Van Cleef & Arpels high jewelry into dialogue with MAK collection highlights, pairing craft, materials, color, and motifs across six themed sections.
Winner of the 2025 Münze Österreich Prize, Kateryna Lysovenko presents paintings that use reduction, absence, and everyday fragments to question visibility, reality, and propaganda.
The MAK Poster Forum looks back at 20 years of VIENNA DESIGN WEEK through the posters that shaped the festival's public image and highlighted the designers behind them.
The hands-on exhibition presents around 40 construction kits from 1890 to 1990 and shows how building toys evolved long before Lego dominated the market.
The MAK continues its collaboration with Wien Modern with an interdisciplinary project at the intersection of music, applied arts, and performance.
The annual survey presents prize-winning posters from Germany, Austria, and Switzerland, ranging from experimental self-commissioned work to precise corporate design.
Josef Dabernig's videos explore the visual codes of fitness and combine body, movement, and abstraction into a study of projection and community.
This large installation examines Viennese interior design between the wars and connects housing debates, social reform, and MAK holdings through a scenography by Anna Viebrock.