Sandra Mujinga's first museum exhibition in Austria fills the central hall of Belvedere 21 with an expansive installation of sculpture, sound, and reflection that explores visibility, community, and transformation.
The exhibition brings together drawings and paintings by Friedl Kubelka / vom Gröller and highlights a lesser-known part of her practice alongside her conceptual photography and experimental short films.
This retrospective surveys Sue Williams's paintings and drawings from the late 1980s onward, focusing on power, oppression, gender relations, and body politics.
The exhibition focuses on Waldmüller's landscape paintings, from intimate tree portraits to views of the Vienna Woods and Salzkammergut, and places them in the wider nineteenth-century landscape boom.
The exhibition traces Anni Albers's work from the Bauhaus to Black Mountain College, highlighting textile design, teaching, and theory across art and craft.
In Carlone Hall, herman de vries's elliptical floor installation of lavender flowers creates a sensory counterpoint to the Baroque ceiling fresco and reflects his close attention to the natural world.
This IN-SIGHT exhibition examines two Lampi paintings whose meanings changed through overpainting and restoration, using technical imaging to reveal hidden figures and altered interpretations.
This first major retrospective in Austria presents Erna Rosenstein as a key figure of the Polish postwar avant-garde, connecting her resilient practice to the Shoah and later historical upheavals.
Miao Ying's exhibition addresses artificial intelligence through works that connect technical systems with the human urge to understand and control new technologies.
Works acquired for the Belvedere collection over the last decade are brought together in a large-scale display by Heimo Zobernig that spans the museum's ground and upper-floor galleries.
The solo show follows the Austrian-American pioneer of Viennese Kineticism from dynamic bodies and stage designs to her later engagement with urban space and social questions in New York.
The exhibition brings together a polyphony of artistic positions that link feminist demands, sociopolitical effects, and different notions of time while imagining possible futures.
Civa 2026 brings together five artistic perspectives at Belvedere 21 and a broader program of talks, screenings, and performances to examine speed, simultaneity, and alternatives to accelerationist logic.