The Costume Institute's spring exhibition pairs garments with artworks across The Met to examine how the dressed body has been imagined from prehistory to the present.
Works in ceramics, glass, jade, metal, and prints explore the horse's symbolic power and its role in Chinese society, belief, transport, and warfare.
More than 120 works reconsider Lee Krasner and Jackson Pollock side by side, tracing their intertwined careers and the different paths they took through Abstract Expressionism.
About 50 works, many shown for the first time, reveal the reverse, interior, and hidden construction of Korean objects in metal, wood, ceramics, textiles, and lacquer.
Liu Wei will create four large-scale facade sculptures that use urban fragments, historical references, and bodily forms to reflect on rupture and resistance.
Around 120 chromolithographs, paintings, and portable shrines trace how inexpensive printed images brought Hindu devotional practice into homes across India.
Across roughly 350 works, this exhibition surveys Japanese ceramics from early ritual figures to contemporary practice, placing vessels in dialogue with related art forms.
Centered on The Met's Savonnerie carpets, this exhibition traces Louis XIV's vast Louvre commission, its demanding production, and the later dispersal of these Baroque textiles.
Photo: Robert Bye, Art gallery with glass ceilings - Unsplash
Photo: Lydia Liu, View of Central Park from the Met’s Rooftop - Creative Commons Attribution 2.0