This special display centers on Express (1963) from the Thyssen collection and reexamines Robert Rauschenberg's experimental approach across painting, performance, visual art and science. It also connects the work to the 1964 Venice Biennale, where the artist's Grand Prix helped cement his international reputation.
This first retrospective in Spain devoted to Vilhelm Hammershøi brings together around 100 works and surveys the artist's quiet interiors, portraits and landscapes. It also explores themes of silence, music and Ida Ilsted's role in his creative world.
This exhibition by the Ukrainian duo uses audiovisual installations to examine how war reshapes perception, daily routines and collective life before it can even be fully named. It brings together recent works and a new commission for the museum around the political, emotional and territorial ecologies of conflict.
This first solo museum presentation of Ewa Juszkiewicz brings together more than 20 paintings that rethink historical female portraiture. Faces disappear behind fabric, hair, fruit or vegetation, turning familiar conventions into more open and unsettling images.
This major survey follows more than six decades of Carmen Laffón's figurative work across painting, pastel, charcoal and sculpture. Organized around recurring motifs such as figures, still lifes, landscapes, baskets and salt flats, it shows how she returned to subjects through variation and serial form.
This exhibition presents Kenny Scharf as a key East Village artist and a pioneer of contemporary urban art alongside figures such as Basquiat, Haring and Warhol. It highlights his pop-surreal imagery, vivid color and cross-disciplinary practice in painting, sculpture, installations, murals, performance and fashion.
This first solo exhibition in Europe by Mapuche trans artist Seba Calfuqueo centers on new commissions shaped by the Cautín River and its history of colonization, resistance and defense of Mapuche territory. The show invites visitors to imagine more reciprocal relationships between waters, humans, more-than-humans and mythic beings.
This exhibition reexamines Dalí's career through his long engagement with Freud, from his early reading of psychoanalysis to the pair's 1938 meeting in London. Organized in seven sections, it follows how Freudian ideas shaped his surrealist language and later work.