Rosa Barba's first large-scale exhibition in Portugal uses film, sound, and sculptural elements to turn the CAM spaces into a time-based environment shaped by impermanence and memory.
The exhibition presents previously unseen works by Diogo Pimentão, with part of the installation shaped through a performance with dancer and choreographer Emmanuel Eggermont.
This outdoor sound installation reimagines operatic form through the mallard duck, combining sculpture, environmental sound, and garden ecology.
This immersive exhibition combines painting, sculpture, and installation to trace hybrid bodies, water systems, and exchanges between urban and bodily environments.
Drawn from the la Caixa Contemporary Art Collection and conceived by João Maria Gusmão, this exhibition looks at labor, leisure, and self-reflexive poetics.