This selection of oil sketches from the Thaw Collection looks at how 19th-century artists used plein air painting to render sunlight, reflected light, and moonlight through color.
Drawings, etchings, and paintings reconsider Rembrandt's world through migrants, exiles, and refugees, showing how movement across borders shaped art and identity in the Dutch Republic.
The first exhibition outside Europe devoted to Johan Tobias Sergel pairs drawings with terracotta, marble, and plaster works to highlight his Roman years and vivid draftsmanship.
The exhibition examines blockbooks, fully woodcut-printed volumes that competed with manuscripts and typographic books while introducing a highly illustrated format for late medieval readers.
Using the John Davis Collection and Morgan holdings, this exhibition follows ragtime from its roots in West African rhythms and European traditions to its crossover into jazz, Broadway, film, and popular culture.