Rotating selections from four curatorial departments bring manuscripts, books, letters, and music materials into J. Pierpont Morgan's Library to spotlight the stories behind the collection.
Timed for the declaration's 250th anniversary, this compact installation centers on a rare Dunlap broadside alongside Revolutionary-era books, letters, and a life mask of George Washington.
This two-part exhibition links the earliest surviving tarot decks from Renaissance Italy with the way tarot imagery resurfaced in modern and contemporary art.
Works on paper from a 2019 gift by David Kermani highlight John Ashbery's friendships with artists and the links between his poetry, art criticism, and collecting.
More than 110 contact sheets and 20 enlargements trace Peter Hujar's artistic development and his East Village circle through working sequences, editing marks, and portraits.
This selection of oil sketches from the Thaw Collection looks at how 19th-century artists used plein air painting to render sunlight, reflected light, and moonlight through color.
Drawings, etchings, and paintings reconsider Rembrandt's world through migrants, exiles, and refugees, showing how movement across borders shaped art and identity in the Dutch Republic.
The first exhibition outside Europe devoted to Johan Tobias Sergel pairs drawings with terracotta, marble, and plaster works to highlight his Roman years and vivid draftsmanship.
The exhibition examines blockbooks, fully woodcut-printed volumes that competed with manuscripts and typographic books while introducing a highly illustrated format for late medieval readers.
Using the John Davis Collection and Morgan holdings, this exhibition follows ragtime from its roots in West African rhythms and European traditions to its crossover into jazz, Broadway, film, and popular culture.