The main exhibition of the 9th Triennial of Photography Hamburg brings together around 30 artistic positions across photography, video and film. It explores cultural difference, visibility and solidarity through stories rooted in places ranging from Australia and Japan to Lebanon, Palestine and Greenland.
Drawing on around 300 works from the F.C. Gundlach Collection, this exhibition examines how bodies are staged through photography and related image practices. Themes of extravagance, queerness, vulnerability and nonconformity run through the selection, which also serves as a tribute to Gundlach and his role in the Triennial.
Abdulhamid Kircher uses analogue photography, archive images and biographical objects to examine intimacy, family history, patriarchy and the possibility of reconciliation. The Hamburg presentation is conceived as a site-specific installation and treats the darkroom as a space for reflection as much as image-making.
Akosua Viktoria Adu-Sanyah presents large-format analogue works that expand photography into an installation-like spatial experience. Her new Hamburg project reworks archival images from her father's birthplace in present-day Ghana, using manual and chemical processes to search for alternative narratives.
This group exhibition looks at the history of counterculture through contemporary art and photography. Across four thematic sections, it brings together works from the Falckenberg Collection, the FRAC des Pays de la Loire and the Musee d'arts de Nantes to rethink power, resistance and alternative social imaginaries.
The exhibition traces Joyce Pensato's development from still lifes and Batman drawings of the 1970s to the large black-and-white enamel paintings that became central to her practice in the 1990s. Presented in cooperation with ICA Miami and the FRAC des Pays de la Loire, it is the first institutional solo exhibition of her work in Europe after her death.
With around 15 room installations from 1999 to 2025, this survey offers a broad introduction to Hito Steyerl's work at the intersection of art, technology and social analysis. Video essays, multimedia installations and performance-based pieces examine algorithmic control, technological exploitation, capitalism, climate collapse and war.