The Whitney's eighty-second Biennial brings together fifty-six artists, duos, and collectives from the United States and places shaped by US power. Across many media, the exhibition looks at kinship, infrastructure, ecology, mythology, and the unstable idea of what "American" can mean now.
This site-specific terrace presentation, part of Whitney Biennial 2026, combines sculpture, steel reliefs, works on paper, and an outdoor-screen animation. Kelly Akashi links the commission to the losses of the 2025 Eaton Fire and to questions of family inheritance and artistic history.
This billboard-scale public artwork across from the museum entrance grows out of Taína H. Cruz's interest in graffiti and on-site painting. Installed on Gansevoort Street as part of Whitney Biennial 2026, it turns a childlike image into a sign of anticipation and newness.
This Whitney survey follows Mabel Dwight's lithographs of New York, from crowded street scenes to intimate portraits. The show highlights how she used the print medium to give everyday city life social warmth and sharp observation.
This exhibition focuses on Polaroids Warhol made in 1972 and 1973, from close-up portraits to snapshots of friends, travel, and everyday life. Drawn from one of his personal Holson albums, the selection shows how photography fed both his self-documentation and his wider artistic process.
This site-specific installation in the Studio Bar is made from thousands of handmade ceramic tiles. Dyani White Hawk draws on Lakota traditions in beadwork, painting, and quillwork to create a mosaic designed for rest, reflection, and nourishment.
The Whitney lists this as an upcoming Roy Lichtenstein exhibition opening in October 2026. The public page currently provides the dates but no curatorial overview, so further exhibition details have not yet been published.