This exhibition pairs works from the Gulbenkian Collection with haute couture and contemporary fashion to trace shared forms, symbols, and ideas across time.
This exhibition invites close looking and lighter forms of holding, reflecting on fragility through works installed in the João Paulo II University Library Building.
This garden audio tour links works from the Gulbenkian Collection with plants, sounds, and atmospheres across the campus to explore Calouste Gulbenkian's interest in art and nature.
Bruno Zhu examines museum power structures with a conceptual installation that questions how collections, display, and institutional authority are staged.
This photography exhibition brings together around 60 images Webb made in Portugal in the 1970s and 1980s, alongside smaller sections on New York and sub-Saharan Africa.
Rosa Barba's first large-scale exhibition in Portugal uses film, sound, and sculptural elements to turn the CAM spaces into a time-based environment shaped by impermanence and memory.
The exhibition presents previously unseen works by Diogo Pimentão, with part of the installation shaped through a performance with dancer and choreographer Emmanuel Eggermont.
This outdoor sound installation reimagines operatic form through the mallard duck, combining sculpture, environmental sound, and garden ecology.
This interactive installation develops through shared play and collaboration, allowing the work to change over time with visitor participation.
This immersive exhibition combines painting, sculpture, and installation to trace hybrid bodies, water systems, and exchanges between urban and bodily environments.
Drawn from the la Caixa Contemporary Art Collection and conceived by João Maria Gusmão, this exhibition looks at labor, leisure, and self-reflexive poetics.