This exhibition traces Lawrence Ferlinghetti's printmaking through works from the museum's collection and shows how the poet, publisher, and activist combined image and text. Etchings, lithographs, and letterpress works return to themes of isolation, violence, resilience, and maritime life.
More than 30 drawings and prints trace Venice from the Renaissance to the Rococo and highlight the artistic vitality of Venice and the Veneto. Landscapes, figure studies, and decorative designs by the Tiepolos, Rosalba Carriera, Francesco Guardi, and Canaletto build a layered portrait of the city.
Daily docent tours offer a guided introduction to the exhibition's highlights, meet at the lower-level entrance, and last about an hour. A special exhibition ticket is required.
The exhibition brings together more than 150 bronzes, terracottas, jewelry, ceramics, architectural elements, and a rare surviving Etruscan text to examine the culture that shaped Italy before Rome. Drawing on recent archaeology and scholarship, it is presented as the most comprehensive Etruscan survey staged in the United States to date.
Art Institute of Chicago curator Kit Maxwell discusses the museum's redesigned Eloise W. Martin Galleries and the curatorial choices behind their chronological displays of European furniture, ceramics, glass, and silver from 1600 to 1900.
This appointment-based access session is designed for visitors with disabilities and their guests, with reduced crowds, discounted admission, and accessible features such as nearby Blue Zone parking, extra seating, and large-print labels.
This after-hours 21+ event opens The Etruscans with evening gallery access, live DJ sets, specialty cocktails, and Off the Grid food trucks. A VIP tasting room adds a guided Ezeta wine experience.
Museum docents lead two captioned online tours of The Etruscans: a 10 am general overview and an 11:30 am highly descriptive session designed for visitors with vision impairment. Participants can join either tour or both.