Ground floor: rooms, tools, and working life
You start low and tactile: the Kraków and Podhale rooms, a pottery kiln niche, an oil mill, a fulling mill, a schoolroom, and wooden architectural models. This level explains quickly that the museum cares about how people actually lived, worked, and built their days, not just about decorative folklore.
First floor: costume, family, and ritual
Upstairs, the story turns toward folk costume, the peasant family and community, traditional economy, craft, musical instruments, and Christmas and Easter customs. First-time visitors, and families especially, usually connect fastest here because clothing, household life, and seasonal rites give the collection its clearest human scale.
Second floor: a more open conversation
The upper floor shifts into an art-based exhibition drawn from the museum's collection. The tone is looser and more reflective here, less about classifying folk culture and more about letting individual works and objects talk back to the older material below. Stay with it if you like museums that become stranger, not simpler, at the end.
Dom Esterki as the optional second act
If you still have energy after the Town Hall, Dom Esterki on ul. Krakowska gives you the museum's temporary-exhibition side about 100 m (328 ft) away. That add-on works best for repeat visitors, exhibition-driven travelers, or anyone who wants the day to feel more contemporary and less purely permanent-collection based.