Five large-scale installations place works from classical modernism in dialogue with contemporary artists from the Mumok collection. The exhibition explores non-linear ideas of time and connects present-day questions with art-historical counterparts.
The Vienna-based painter presents drawings and paintings built from a reduced palette. Abstract and figurative elements intertwine as the exhibition turns to themes of birth, death, becoming, and passing.
This inaugural group exhibition opens a new chapter at Mumok by combining collection works, new productions, and loans. Starting from Kate Millett's 1972 installation of the same name, it reflects on viewership, participation, and the museum as a whole.
Astakhishvili's first solo museum exhibition centers on the 'figure of the child' as a lens on autonomy, dependence, scale, and empathy. The installation-led presentation extends the experience of art toward movement and touch.
Mumok's preview announces an exhibition of new work by Cameron Rowland for fall 2026. No further thematic details are currently published on the exhibition page.
This immersive film project listens to the planet through infrasonic vibrations, seismic noise, interspecies codes, and traces of ecological collapse and survival. Using advanced audiovisual technology, Verena Paravel proposes a sensory documentary perspective on animals, plants, and their surroundings.