Ca' Rezzonico
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In Dorsoduro on the Grand Canal, Ca' Rezzonico, also known as the Museo del Settecento Veneziano, places you inside an 18th-century Venetian palace with frescoed salons, period furniture, and works by Giambattista Tiepolo, Pietro Longhi, and Canaletto.
Start with a single ticket for a focused visit, or choose the Museum Pass if you will add more civic museums on the same Venice trip for better value. Book now.
Start with a single ticket for a focused visit, or choose the Museum Pass if you will add more civic museums on the same Venice trip for better value. Book now.
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Tickets and museum passes
Compare single-entry and pass formats for Ca' Rezzonico so you can match your budget, your pace, and your wider Venice plan.Musei del Settecento Veneziano: Ca'Rezzonico, Mocenigo Palace & Goldoni House
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tiqets.com
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Ca' Rezzonico Entrance Ticket
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Ca' Rezzonico 18th century Venice Museum entrance tickets
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musement.com
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Hidden Venice: Ca’ Rezzonico & Scala Contarini Tour
getyourguide.com
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See all Tickets and museum passes
6 tips for visiting the Ca' Rezzonico
1
Book before your Venice museum day
If your priority is a low-stress entry, book before your museum day instead of deciding at the desk in peak windows. Weekend demand in Dorsoduro can compress arrivals quickly. Early booking keeps your pace calm from the first room.
2
Use line 1 for direct arrival
If you want a straightforward approach, use vaporetto line 1 to the Ca' Rezzonico stop from Piazzale Roma, Santa Lucia, or Lido. In tight Venice lanes, water access usually removes bridge-heavy detours. You arrive with more energy for the galleries.
3
Plan around Tuesday closure
Ca' Rezzonico is closed on Tuesdays, and seasonal closing times shift between 5 pm and 6 pm. If your itinerary is tight, lock your museum slot first, then shape lunch and nearby stops around it. That way you avoid last-minute reshuffles.
4
Carry only day essentials
Suitcases and bulky bags are not allowed in museum areas, and security can route extra items to cloakroom service. If you are between hotels, store big luggage before arrival and keep only day essentials. This avoids entry friction and saves time.
5
Pair one nearby art stop
For a balanced half-day, pair Ca' Rezzonico with Accademia or Peggy Guggenheim Collection, then finish with Santa Maria Gloriosa dei Frari if you still have energy. These stops sit in the same central zone, so you spend more time visiting and less time transferring. One clear pairing keeps the day focused.
6
Start with the first floor rooms
If this is your first visit, go to the ceremonial first-floor rooms early, then continue to the second-floor painting rooms. You will see headline spaces before group waves build in narrower passages. That order makes your route smoother.
How to plan a Ca' Rezzonico visit in Dorsoduro
Ca' Rezzonico works best when you decide format, timing, and one nearby pairing before you arrive. A short plan removes friction and lets you focus on rooms, not logistics.
Choose the ticket format first
Best for one museum stop: single ticket. Best if you want an 18th-century trio: the combined ticket with Palazzi Mocenigo and Carlo Goldoni's House. Best for wider civic-museum coverage: Museum Pass. Decide this early so your route stays simple. Book now.
Time your entry by season
The museum runs two seasonal windows, with winter closing at 5 pm and summer at 6 pm, and it is closed on Tuesdays. If your day is tight, enter in the first hour to protect gallery time from late-day compression. This keeps your visit calm and complete.
Arrive by line 1 and travel light
The direct museum-listed route is vaporetto line 1 to the Ca' Rezzonico stop. If you are moving between hotels, drop large bags first because oversized luggage is not allowed in galleries. A light arrival lowers entry stress and helps you start faster.
Add one nearby stop without rushing
If this is your first art-focused day, pair Ca' Rezzonico with Accademia. If you prefer a style contrast, pair with Peggy Guggenheim Collection. Families and slower walkers usually benefit from stopping at two venues max, so energy stays high through the final room.
History behind the palace
The building you visit today is a social and architectural story of unfinished ambition, rapid ascent, and civic reuse. Knowing the timeline makes each room feel more intentional.
From Bon project to Rezzonico completion
In the 17th century, the Bon family commissioned Baldassare Longhena to build the palace, but finances failed and works stopped after his death in 1682. In 1750, Giambattista Rezzonico bought the unfinished structure and asked Giorgio Massari to complete it within six years.
1758 and the family peak
The Rezzonico rise peaked in 1758 when Carlo Rezzonico became Pope Clement XIII. That political visibility helps explain why the palace interiors project ceremony, confidence, and social positioning in every major room.
1935: from empty palace to museum
After ownership changes and loss of original furnishings, the city purchased the palace in 1935 to house 18th-century collections. The museum model intentionally rebuilt atmosphere with paintings, furniture, and relocated decorative elements from other Venetian palaces.
A Grand Canal façade made for impact
The façade and interior sequence were designed for visual drama: light-dark rhythm, ceremonial progression, and a strong axis from water entrance to inner spaces. In practice, this is why Ca' Rezzonico feels less like a neutral gallery and more like a lived aristocratic stage set.
What to see floor by floor at Ca' Rezzonico
The museum rewards a floor-based route, because each level has a distinct tone and purpose. A structured sequence helps you avoid decision fatigue and preserve attention.
Browning mezzanine as your warm-up
Near the café staircase, the Browning Mezzanine introduces the Mestrovich Collection, including works linked to Jacopo Tintoretto and Bonifacio de' Pitati. If you want a gentle start before larger ceremonial rooms, begin here and calibrate your pace.
First floor for ceremonial Venice
The first floor concentrates eleven rooms with paintings, sculpture, frescoed ceilings, and 18th-century furnishings. For first-time visitors this is the core identity layer of the museum, so give these rooms priority before adding extra detours.
Second floor for headline painters
The second floor opens with a long Venetian central hall and includes early works by Canaletto, plus key rooms dedicated to Pietro Longhi and the Giandomenico Tiepolo frescoes from Villa Zianigo. If your priority is painting depth, this level deserves extra time.
Third floor as the specialist finish
The third floor adds the three rooms of the Ai Do San Marchi Pharmacy and the Egidio Martini bequest. This is a strong final layer for repeat visitors, while first-time visitors can treat it as an optional extension if energy and time remain.
Frequently Asked Questions
When is the best time to visit Ca' Rezzonico?
For calmer rooms, go in the first opening hour on a non-Tuesday weekday. In peak Venice periods, late morning can feel busier in narrower passages. Early entry gives you cleaner viewing flow.
Read more.How long should I plan for the visit?
Most visitors are comfortable with about 60 to 90 minutes. If you pair nearby museums like Accademia or Peggy Guggenheim Collection, plan a half-day cultural block.
Read more.Which ticket format should I choose first?
If Ca' Rezzonico is your only stop, start with the single ticket. If you will add Palazzi Mocenigo and Carlo Goldoni's House, the 18th-century combined ticket is usually better value. If your plan includes several civic museums, the Museum Pass is generally the most flexible.
Read more.Is Ca' Rezzonico wheelchair accessible?
The museum states that it is fully accessible for disabled visitors and provides a lift. Because the palace is historic, some floors and steps can be irregular, so a slower pace on transitions is helpful.
Read more.Can I bring luggage inside the museum?
Bulky luggage is not admitted in museum areas, and oversized items must be handled before entry. The free cloakroom can store medium bags, backpacks, and umbrellas according to staff guidance.
Read more.How do I reach Ca' Rezzonico from Santa Lucia station?
Use vaporetto line 1 and get off at the Ca' Rezzonico stop. It is the direct museum-listed water route from Santa Lucia. Check live transport updates before departure.
Read more.Is the museum open every day?
No. Ca' Rezzonico is closed on Tuesdays. Seasonal opening windows are currently 10 am to 5 pm in winter and 10 am to 6 pm in summer, with last admission one hour before closing.
Read more.What nearby places work best in the same plan?
For a compact route, pair Ca' Rezzonico with Accademia or Peggy Guggenheim Collection. If you want one more stop, add Santa Maria Gloriosa dei Frari. This keeps transfers short and the day coherent.
Read more.General information
opening hours
From November 1 to March 31: 10 am to 5 pm (last admission 4 pm).
From April 1 to October 31: 10 am to 6 pm (last admission 5 pm).
Closing procedures begin 20 minutes before closing, and the museum is closed on Tuesdays.
Hours checked on 2026-03-04 (official page updated 2026-02-18).
From April 1 to October 31: 10 am to 6 pm (last admission 5 pm).
Closing procedures begin 20 minutes before closing, and the museum is closed on Tuesdays.
Hours checked on 2026-03-04 (official page updated 2026-02-18).
tickets
Published rates (official ticket page updated 2026-01-07):
- Single ticket: EUR 15.00
- Reduced ticket: EUR 7.50
- 18th Century Venice combined ticket (includes Ca' Rezzonico, Palazzi Mocenigo, and Carlo Goldoni's House): EUR 20.00, reduced EUR 10.00, valid 3 months for one entry per museum
- Museum Pass: EUR 50.00, reduced EUR 25.00, valid 6 months for one entry per included museum
Free-entry categories include children ages 0-5, Venetian residents, and disabled visitors with one helper; additional categories require valid documents at the ticket office.
- Single ticket: EUR 15.00
- Reduced ticket: EUR 7.50
- 18th Century Venice combined ticket (includes Ca' Rezzonico, Palazzi Mocenigo, and Carlo Goldoni's House): EUR 20.00, reduced EUR 10.00, valid 3 months for one entry per museum
- Museum Pass: EUR 50.00, reduced EUR 25.00, valid 6 months for one entry per included museum
Free-entry categories include children ages 0-5, Venetian residents, and disabled visitors with one helper; additional categories require valid documents at the ticket office.
address
Ca' Rezzonico
Dorsoduro 3136
30123 Venice
Italy
Dorsoduro 3136
30123 Venice
Italy
wifi
A free Wi-Fi zone is available in the museum services area.
website
Official site: https://carezzonico.visitmuve.it/
how to get there
Vaporetto: line 1 to Ca' Rezzonico stop from Piazzale Roma, Santa Lucia Railway Station, or Lido di Venezia.
The official transport references listed by the museum are ACTV (waterbus/bus), ATVO (airport bus), and Alilaguna (motorboat).
The museum transport page was last updated on 2024-02-12, so check live schedules before departure.
The official transport references listed by the museum are ACTV (waterbus/bus), ATVO (airport bus), and Alilaguna (motorboat).
The museum transport page was last updated on 2024-02-12, so check live schedules before departure.
accessibility
The museum reports full accessibility for disabled visitors and provides a lift, accessible services, and a baby pit-stop room.
The Spazio '700 - MUVE FOR ALL area on the ground floor is designed for inclusive, multisensory orientation.
Because this is a historic building, some floors and steps can be uneven or slippery.
The Spazio '700 - MUVE FOR ALL area on the ground floor is designed for inclusive, multisensory orientation.
Because this is a historic building, some floors and steps can be uneven or slippery.
security
At entry, security staff may inspect bags, and visitors whose face is covered with a veil may be asked to show identification before admission.
Please keep extra time for checks during busy arrival windows.
Security notice checked on 2026-03-04 (official notice page updated 2026-02-18).
Please keep extra time for checks during busy arrival windows.
Security notice checked on 2026-03-04 (official notice page updated 2026-02-18).
cloakroom
Suitcases, trolleys, and bulky luggage are not permitted in museum areas (over 1 m (3.3 ft) total linear dimensions).
Medium bags, backpacks, umbrellas, and similar items can be left in the cloakroom free of charge, subject to staff directions.
Medium bags, backpacks, umbrellas, and similar items can be left in the cloakroom free of charge, subject to staff directions.
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