This exhibition repositions Anna Mary Robertson "Grandma" Moses as a complex force in American art rather than a simple nostalgic favorite. Anchored by thirty-three works from SAAM's collection, it examines how memory, labor, creativity, and public image shaped her legacy.
This rotating exhibition pairs artists whose paths met at creatively decisive moments, whether as teachers and students, close friends, or professional allies. Drawn from SAAM's twentieth-century holdings, the current installation uses eight pairings to show how artistic exchange shapes American art.
This five-screen moving-image installation interweaves reenactments and quoted speeches to build a vivid portrait of Frederick Douglass as activist, writer, orator, and thinker. The work connects Douglass' ideas about justice, abolition, photography, and freedom to the present.
Through precisely inked and animated scenes, this video work reflects on the legacy of British colonialism in Asia. Sikander reworks imagery linked to East India Company officials to create a layered meditation on power, empire, and historical reverberation.
This immersive exhibition transforms SAAM's galleries with crafted mammoth hides and bones, video, and repurposed found objects tied to Nick Cave's family history and rural Missouri landscape. It invites visitors to think about memory, loss, imagination, and changing relationships with the natural world.
This upcoming exhibition brings together 225 photographs tied to regional survey projects funded around the U.S. Bicentennial. It places those images within the longer history of federal survey photography to present a wide portrait of the United States in the 1970s and early 1980s.
This site-specific performance extends the programming around Nick Cave: Mammoth by animating the creatures that inspired the exhibition as they move through the museum's galleries.