This monographic exhibition presents Maria Jarema as a key figure of Polish modernism and the European avant-garde. Paintings, monotypes, sculptures and theater-related works trace her experiments across media and her dialogue with twentieth-century abstraction.
This first institutional survey of Przemysław Piniak brings together sketches, objects and paintings shaped by his mythology of excess. The exhibition follows urban narratives of shame, rejection and the search for visibility, while stressing the importance of artistic communities.
This exhibition brings Julie Mehretu's layered abstractions to Warsaw together with works by Nairy Baghramian and Tacita Dean. It explores how gesture, history and the memory of place shape politically charged painting and moving-image responses.
This site-specific staircase commission suspends a 19-metre sheet of natural latex through the museum's stairwell. Light, gravity and movement turn the installation into a study of material transformation, extraction and ecological strain.
This large international exhibition presents surrealism as a political anti-fascist network rather than a narrow style. It links artists and events across Europe, North Africa, the Caribbean and the Americas through stories of solidarity, exile and resistance.
Curated by Oliwia Mimi Bosomtwe, this exhibition examines Polish relations with blackness and sub-Saharan Africa through art and visual culture from the Polish People's Republic. It brings together facts, fantasies and socialist-postcolonial imaginaries behind African diasporas in Poland.
This exhibition focuses on Edward Dwurnik's work from the 1970s and 1980s, centering on the Athletes and Workers series. It reconstructs his socially observant, anti-elitist approach to painting as a document of everyday life.